Dec 14, 2012

Jimmy Miller/ Judy Miller...who is Mr. Jimmy?

Who is Mr. Jimmy?

 

Judith Miller

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Judith Miller

Judith Miller
Born January 2, 1948 (age 64)
New York City, New York, U.S.
Residence United States
Occupation Journalist, columnist, author
Judith Miller (born January 2, 1948) is an American journalist, formerly of the New York Times Washington bureau. Her coverage of Iraq's alleged Weapons of Mass Destruction (WMD) program both before and after the 2003 invasion generated much controversy.[1] A number of stories she wrote while working for The New York Times later turned out to be inaccurate or simply false.[2][3][4][5]
Miller was later involved in disclosing Valerie Plame's identity as CIA personnel. When asked to name her sources, Miller invoked reporter's privilege and refused to reveal her sources in the CIA leak. Miller retired from her job at the New York Times in November 2005. Later she was a contributor to the Fox News Channel and a fellow at the conservative Manhattan Institute. She is currently a member of the Council on Foreign Relations.[6] On December 29, 2010, numerous media outlets reported that she had signed on as a contributing writer to the conservative magazine Newsmax.[4][7]

Contents

Early life and education

Born in New York City to a Jewish father and an Irish Catholic mother, Judith Miller grew up in Miami and Los Angeles, where she graduated from Hollywood High School. Her father, Bill Miller, was the owner of a night club in New Jersey and later in Las Vegas.[8] Her sister Susan has a degree in photography from the San Francisco Art Institute. Her half-brother Jimmy Miller[8] was a record producer during the late 1960s and early 1970s, working in support of the Rolling Stones, Traffic, the Spencer Davis Group and Delaney and Bonnie, among others.
Judith Miller attended Ohio State University where she was a member of Kappa Alpha Theta sorority. She graduated from Barnard College in 1969 and received a master's degree in public affairs from Princeton University's Woodrow Wilson School of Public and International Affairs. In 1971, while at Princeton, Miller traveled to Jerusalem to research a paper. She became fascinated with the Israeli-Palestinian dispute, and spent the rest of the summer traveling for the first time to Egypt, Jordan and Lebanon. As a correspondent for The Progressive and National Public Radio, Miller turned her academic interest into a professional one, traveling to the region and cultivating a network of sources.[citation needed] In 1993, she married Jason Epstein, an editor and publisher.

copied from wiki.......

Pomegranates and Roses recognised by Gourmand World Cookbook Awards



Recipes, restaurant reviews and more foodie tips from The National's Bites blog

Pomegranates and Roses recognised by Gourmand World Cookbook Awards

  |  December 12, 2012
Pomegranates and Roses recognised by Gourmand World Cookbook Awards
Congratulations to Dubai based chef and author Ariana Bundy, whose cookbook Pomegranates and Roses, My Persian Family Recipes recently won the Best Asian Cookbook Award in the UK section of the Gourmand World Cookbook Awards 2012.
Pomegranates and Roses will now qualify for the Gourmand Best in the World Competition, the results of which will be announced on the 23rd February 2013 at the annual awards ceremony in Paris.
I have a copy at home and am convinced that this is a book to savour and pore over, as well as cook from. It’s filled with whimsical illustrations, elegantly styled photographs, tales of Bundy’s family history and life in Iran and also provides a wealth of information about traditional Persian food.
The recipes meanwhile are generous, thoughtful and although relatively simple, require the cook to add spices with a delicate hand and be aware of unani, which is the balancing of ‘hot’ and ‘cold’ ingredients. The results meanwhile are great – I have had particular success with shirin polo (sweet rice with orange peel, carrots, almonds and saffron).
Pomegranates and Roses is widely available in bookshops across the UAE and would make a really lovely present for a keen cook.


how I made my really cute PIGGY PILLOWCASES--my sewing obsession

Well, first I went to the quilting class of Kathy Green---one of my sewing heroes...

then I saw the barnyard pig fabric...one of the other students was making a pillowcase...
I felt as if I would expire if I could not have that fabric....so I immediately went to Rosie's Calico Cupboard and bought it...It was about 8 dollars a yard...100% cotton.
I used the pillowcase pattern Kathy gave us in class...it is all over you tube...it is basically the burrito technique with french seams...it is very simple.,,,(after I cut it incorrectly and had to re-cut it so the pigs would be right side up on the bed.)
I had the lace from a purchased table runner....and now I am trying to sell them....or use them for a wall hanging....anything to just keep talking about them because they are soooooo cute.

to purchase the cute pigs go to.........www.chloetoo.com......


or purchase right here with paypal....it's the same thing.


one barnyard pillowcase..........19.00





two barnyard pillowcases.........35.00



tax and shipping are included



cl
Enhanced by Zemanta

An Iraqi in Paris: a lifetime of movement, forced and long-dreamt


This is copied from THE NATIONAL

An Iraqi in Paris: a lifetime of movement, forced and long-dreamt



Iraq in the early months of 1979. Saddam Hussein is circling endlessly around Baghdad, building his influence, tightening his grip on the mechanisms of power, ready to seize complete control of the country within a matter of months. Indeed, tomorrow (July 16), marks the 32nd unhappy anniversary of the occasion when he became the nation's leader.
Meanwhile, in Al-Habbaniyah, a short distance west of Baghdad, Samuel Shimon is dreaming of Hollywood. Shimon is in his early twenties, a frustrated filmmaker desperate to escape the prospect of life under Saddam. To do so, he has a breathtakingly simple plan. He will make his way to the US, where he will carve out his fortune as a movie director.
Three decades later, he has yet to make good on that plan.
Instead, his flight from Iraq took him first to Damascus, then onwards to Amman, Beirut, Nicosia, Cairo and Tunis before, in 1985, he found himself as a refugee in Paris. He would stay there for more than a decade, before upping sticks once again, this time to London in 1996, where he has since settled.
What he experienced in the French capital would provide all the material Shimon needed to write and later publish An Iraqi in Paris, his somewhat autobiographical novel.
It is a work that was almost overwhelmingly well-received when first published six years ago in both Arabic and English and was later nominated for the Lettre Ulysses Award for the Art of Literary Reportage in 2006 and longlisted for the Dublin Literary Award the following year. It is also a funny, charming, episodic work that has recently been repackaged and republished in English by Bloomsbury Qatar.
Shimon, who I meet in an Abu Dhabi hotel, says this new edition is far more faithful to the Arabic original than the previous English-language version, which had been the handiwork of six different translators.
"It is only one now and I am very happy," he says, referring to the collaborative efforts of Piers Amodia and Christina Phillips, who share translation credits on the Bloomsbury Qatar version.
"I used to write chapters for the book and then would publish them periodically in newspapers. These were printed over a period of 10 years and, consequently, there were many different translators. This new translation is exactly like the Arabic. It is more consistent."
He is an engaging and charismatic figure, a natural if rapid-fire raconteur. A conversation with Shimon moves quickly from place to place, zigzagging in an instant from Iraq to Beirut to London to Hollywood. His mind brimming with ideas, his speech ready to break off at a tangent, as another thought springs up almost magically in front of him. You struggle to keep up with him, but regardless, you have fun trying to hang onto his coat-tails.
He is many things then, but not remotely sentimental - at least not for the country he left behind all those years ago.
When I ask him if he would like to go back to Iraq, he says, without pause, that "I've never been back. I don't have nostalgia. I don't feel like I need to go back. Many people want to go home, but I don't. The Iraq I left is not the same country that it is today." This is the romantic turned realist.
But where is home? He does not answer. In a sense he doesn't need to, home is London and has been since the mid-Nineties. Instead, his imagination is moving again, his words heading west to the land of opportunity.

Read more: http://www.thenational.ae/arts-culture/books/an-iraqi-in-paris-a-lifetime-of-movement-forced-and-long-dreamt#ixzz2F2qlLPtt
Follow us: @TheNationalUAE on Twitter | thenational.ae on Facebook

Page 2 of 2"I was telling my wife I would like to go to Los Angeles. I said to her the other day: 'I am 55 now, I really want to live in LA for a few months.' I am dying for movies. I have to go. I learnt at six years old how to tell stories. When you are that young and you watch American films, you become a dreamer." This is the realist reverting to the romantic once more.
His wife is Margaret Obank, the publisher of Banipal, an independent magazine devoted to modern Arab literature, on which Shimon serves as editor. He jokes that working with his partner is a "big problem", before opening up his heart. "She is a wonderful person. I always like to show her I love her more and more," he says. "We are very good friends. She works too much. In that way we are similar."
First published in 1998, Banipal marked its 40th edition this year with an extremely topical issue entirely devoted to Libyan fiction. The edition, which had been in preparation for months, arrived just as crisis deepened in the North African country, demonstrating Banipal's knack for being a relevant and timely voice on the Arabic literary scene.
But it has not been without a struggle to make that voice heard. Shimon wrote of this in his revealing introduction to the Libyan fiction issue: "I remember some mean Arab intellectuals spreading a few rumours here and there, saying that publishing a second issue would not be possible. When the second issue was published, they said the third issue would not be. But the magazine continued on its journey." He is nothing if not determined.
He enlarges on this during our interview. "I came from the street. When we started Banipal they said I was a dreamer. They said: 'How are you going to make money from it?' People said we cannot continue. But we have been doing it for 14 years non-stop."
They won't be stopping anytime soon, either. Next up, in October, is an issue on Emirati literature, supported by the Emirates Foundation, which explains his presence in the capital in the heat of the summer. "I tell you the truth," he says, "I like the Emirates; I feel happy here, I feel quiet."
Quiet maybe, but always alive to possibility. By his own admission he works 24 hours a day. He does so, because "I don't have anything else. Only making magazines, reading in Arabic. When I am doing these things I am very happy. I feel I am mixing literature with cinema in my mind. I like that and I cannot separate it anymore. I have many stories you see, I can tell you hundreds of stories."
His next story will be his next book, The Militant Lingerie. "It will be funny, interesting and dangerous," he says, another autobiographical novel that, this time, will lean heavily on the period the author spent in Lebanon.
"It is about this young Iraqi guy who comes to Beirut during the civil war. He meets this young lady and he falls in love. It is a beautiful story about relationships and revolution," and with that, Shimon the film director, the dreamer, the author starts to map out another scene in his mind.