Showing posts with label Palestine. Show all posts
Showing posts with label Palestine. Show all posts

Jul 22, 2014

Finding Inspiration from Green Olive Tours--I want to go to Israel and Palestine

Thanks, Fred, your statement is beautiful...thank you for bringing the world together with history and information.  I really want to go on your tours and meet the people you describe.




27th October - 7th November 2014

Olive Picking Program and Tour • 12 days / 11 nights

Rub shoulders with farmers and villagers from the northern West Bank. Experience this iconic activity connecting today's Palestinians with their ancestors.

Several days of olive picking are blended with tours and activities that will make this a trip of a lifetime


Jerusalem • Bethlehem • Hebron
Nablus • RamallahBeit Ummar





Mission Statement of Green Olive Tours
Green Olive Tours is a social enterprise tour agency providing tours that are informative and analytical, covering the history, culture, and political geography of Palestine (West Bank) and Israel. The tours provide benefit to the indigenous population through the hiring and training of tour guides, overnight stays with families & small guest houses, and encouraging visitors to purchase local crafts directly from producers and Fair Trade outlets. 

The wide range of itineraries include interaction with Palestinians and Israelis, and visit areas that embody the history and current status of the conflict between Israelis and Palestinians in the West Bank and Jerusalem, and between Israel's Jewish, Palestinian-Arab, and Bedouin citizens. The complex mosaic of religions, nationalities, and political viewpoints in the Holy Land are explored in depth. 

Many of the tours also visit sites of historical, cultural and religious interest, placing them within the context of the ongoing analysis provided by the guide.

Green Olive Tours aims to provide our guests with:
  • A cultural, historical and political understanding of Palestine & Israel.
  • Visits to cultural, historical and religious sites.
  • An experience of the political facts on the ground.
  • Interaction with Palestinians and Israelis.
  • Analysis and commentary based on;
    • Human Rights
    • Cultural self determination 
    • The right to political self determination
    • The right to live in safety
    • The right to political freedom
    • The right to a home 
Jerusalem & the West Bank
The tours in the Occupied Territories visit the Separation Barrier, and travel the roads and tunnels that connect to Jewish settlements. Some tours arrange visits with residents of the territories, both Israeli and Palestinian, that help develop an understanding of the complexities of the relationships. A wide range of information about social, cultural and historical issues is provided that help to link together the sites visited and your previous knowledge about the region into a coherent perspective on the situation. The tours provide a unique opportunity to learn about Palestinian culture, gain first-hand, in-depth knowledge of the situation on the ground, and hear critical analysis from knowledgeable Palestinian and Israeli guides.


copied from the website of Green Olive Tours.......

Jun 4, 2014

Fighting Racism with Doc Jazz: Bringing the World Together with Food and Fabric and Music from The Ronnie Republic

Voices of Resistance: The Mixtape by FRFI, available now for download!

Doc Jazz has contributed his song 'Intifada' to the new mixtape 'Voices of Resistance', that was released on May 1, 2014 by Fight Racism, Fight Imperialism (FRFI) from Britain. Here follows their announcement.
Voices of Resistance opens the stage to hear from revolutionary youth in Britain and around the world. Presented by the Britain-based activist organisation Fight Racism! Fight Imperialism!, a range of cultural and musical alternatives are united in this mixtape of original material. This comes at an important time as the British ruling class drive forward with Victorian-style cuts in welfare and criminalisation of those most dependent on it. The millionaire politicians and their allies use racism as an age old tool to divide and rule the working class. Internationally, they push for more war and bloodshed to save their sinking system, while defending the apartheid regime of Israel.
And yet, with organisation, inspired by poem and song, all of the division, silence and indifference to today’s situation can be exposed and overcome. The global crisis of capitalism and imperialism is expressing itself throughout the world in wars and revolutions. Despite everything, the people of Palestine refuse to give up their revolutionary fight. The struggle for socialism in Latin America, led by Cuba and Venezuela, is meeting people's needs and giving hope to millions across the world. An alternative truly does exist! People united in voice and spirit can never be defeated!

Oppose the war on welfare!
Victory to Palestine!
Join the voices of resistance!


Track list

1. Intro
2. We Rise – RENU, London
3. How - Verbal Wisdam, Manchester
4. Free Talha, Free Babar – Rot Jaws, London
5. M1 Speaks! - Dead Prez, Amerika
6. Intifada – Doc Jazz, Palestine
7. Taqaseem – Reem Anber, Gaza, Palestine
8. 51% Female – Dido Porter, Newcastle
9. Sunday's No Rest Day – Domi O'Hara, Glasgow, Scotland
10. Down and Broke – Dirty North feat. Jim Adama, Manchester
11. Labour Force (Parts 1&2) – Cal Shaw, Newcastle
12. Bulletproof Vest – Leon F. Brehony
13. The Red Rose Means Death – James R. Bell, Newcastle
14. Meltdown – Louie B, Manchester
15. Probationary Citizen – Gertrude, London
16. Rip Up the Sun – Class Actions, Salford
17. Smash the Bedroom Tax – Mark Moncada, Newcastle
18. Baobab Tree - Ken Hughes, London


About the artists

RENU is a London-based world percussionist, composer and producer. Her track We Rise first appeared on her 2012 album Midnight Radio and includes lyrics and vocals by ROSINA, one half of Toronto based electro duo LAL.

MC Verbal Wisdam has performed at FRFI's Rebel Music nights in Manchester and is gaining a reputation as a conscious, political rapper. The track How was written especially for the Voices of Resistance mixtape and was produced by WRZL.

Rot Jaws are a band specialising in 'punk motivated sound and politics' and are fronted by lyricist Sara Mahmoud. Their song Free Talha Free Babar comes from the 2013 EP of the same name and is dedicated to the struggle against 'anti-terror' imprisonment and criminalisation of the Muslim community. They are joined by Gertrude, an all-female post punk group, who rage against social control in their track Probationary Citizen. In early 2014 both Rot Jaws and Gertrude performed at a benefit gig for the Focus E15 Mothers housing campaign in East London.

Cal Shaw, Dido Porter and James R Bell are poet-activists involved in FRFI in Newcastle. Their work features at Rebel Music nights in the city and gave birth to the RED blog for revolutionary politics and art. Here, their work is presented to contrast the radical music on our mixtape. Cal Shaw tells the story of the Newcastle 14, anti-racist protesters arrested in 2013 with the collaboration of local 'anti-facists' loyal to the Labour Party. Picking up on that theme, James R Bell offers a powerful poetic presentation of Labour's bloodsoaked history. Dido Porter speaks up against sexism and offers a renewal of anti-capitalist militancy to traditional ideas of feminism.

Domi O'Hara is a Glaswegian activist and songwriter whose songs have literally travelled the world. In December 2013 he joined a group of young FRFI activists in the World Federation of Youth and Students in Quito, Ecuador. He is also active in the Glasgow Defence Campaign for democratic rights and against political policing. His song Sunday's No a Rest Day is testament to this political campaigning and calls for a new culture of political activity on the streets of Britain. Edinburgh-based Mancunian filmmaker Leon F. Brehony sneaks into our Scottish contingent with his folk flavoured resistance track Bulletproof Vest.

We are extremely proud to present a number of tracks in solidarity with the struggle of Palestine. The fight to boycott apartheid Israel remains an important part of FRFI's work in Britain. In an interview with Dead Prez after their Manchester show in early 2014, rapper M1 told us why he supports the Palestinian cause. We present part of this interview here, followed by tracks from Palestinian musicians Doc Jazz and Reem Anber.

Doc Jazz is a surgeon and self-taught multi-instrumentalist. His songs mix elements of rock, rap, jazz, funk and Arabic styles and his website The Musical Intifada is dedicated to promoting action in solidarity with the Palestinian struggle. Reem Anber is an oud player based in Gaza. As we release her Taqaseem, Israel enforces the blockade of Gaza, with the support of Britain, the US and the military government in Egypt. There are no recording studios in Gaza, yet musicians like Reem maintain their musical traditions in the face of continuing Israeli aggression.

Dirty North are well known in Manchester for supporting Stone Roses during their comeback shows in Heaton Park. In front of a crowd of thousands, singer Johnny launched into Money and Guns, a song written after Britain's invasion of Iraq. On this FRFI mixtape, they collaborate with blues-influenced songwriter Jim Adama in Down and Broke, a recession anthem telling the real life story of poverty faced by growing numbers of young people at the hands of austerity capitalism.

Staying up north, Class Actions are a group of Salford-based socialist rappers and activists. Their track Rip Up the Sun is dedicated to the Hillsborough justice campaign and was performed recently at the Barton Moss anti-fracking camp during the 25 year anniversary of the tragedy. The song deals with the shameless anti-working class coverage presented by the Sun newspaper at the time and live performances feature shredding of issues of the paper!

FRFI's Mark Moncada and Louie B are active in Newcastle and Manchester respectively. This recording of Mark Moncada's song Smash the Bedroom Tax comes from a live performance at a Newcastle Rebel Music night and features crowd participation – a hallmark of Mark's militant, protest-driven, songs. Louie B has featured in Manchester bands The Scrotes and Frazer King and this version of Meltdown is a call to action to combat cutbacks in working class communities.

The late Ken Bodden (also known as Ken Hughes) was a Panama-born socialist and musician who wrote many great protest songs during his time working with FRFI. He was a leading member of the anti-apartheid pickets of the South African embassy in London in the 1980s and is missed by everyone who knew him, comrade and friend alike. Here we pay tribute to Ken with his excellent song Baobab Tree.


Links

RENU – www.soundcloud.com/renu
Verbal Wisdam – www.soundcloud.com/verbalwisdam
Rot Jaws – www.rotjaws.com
Gertrude – www.gertruderock.com
RED blog – www.redrevolutionart.wordpress.com
Dead Prez – www.deadprezblog.wordpress.com
Doc Jazz – www.docjazz.com
Reem Anber – www.soundcloud.com/reem-anber
Dirty North – www.soundcloud.com/dirtynorth
Jim Adama – www.jimadama.bandcamp.com
Class Actions – www.classactionsuk.com
Louie B – www.soundcloud.com/guitarlouie
Ken Bodden – obituary at http://tinyurl.com/m9sckhm

Fight Racism! Fight Imperialism! - www.frfi.co.uk

copied from DocJazz.com

Dec 2, 2013

Shining a Light on Palestine

The Exacerbating Electricity Crisis in Gaza

Press Release
In light of the continued siege on the Gaza Strip, and the silence on the humanitarian crises there, the government realized the need to give a detailed picture of the exacerbating electricity crisis:
The electricity problem is not a problem of the day; it’s an old, sequential one, but its severity differed in relation to the number of cut hours.
1. The focal point of the problem dates back to the first days of the PA’s establishment of the Power Generation Company, as the electricity generated had not been enough to meet the need of the overall population of the Gaza Strip because of the interrupted availability of fuel, or the inability to collect the cash necessary to run the power plant in full capacity, and because it had been subjected to a devastating bombing by the Israeli occupation in 2008.
2. The power generation sector has been impacted by the ongoing Israeli siege on Gaza, which contributed a decline to the enclave’s economy as a whole, and to the rising poverty and unemployment rates, and thus affecting the Gaza citizens’ financial ability to pay the electricity subscriptions.
3. The current problem lies in the lack of Egyptian fuel due to the complete closure of the underground tunnels, which have no commercial alternative to serve the Gaza life needs, and in the rising prices of the Israeli fuel.
4. The Government had agreed with the Palestinian Authority in Ramallah to remove the tax imposed on shipping the industrial diesel from the West Bank to the Gaza Strip except for the one called blue tax. It also proposed to remove the VAT to pay 3 NIS per liter, so we were obliged to pay 4.2 NIS per liter to run the power plant temporarily. Lately, the Government has been surprised by the PA retreating from its decision to exempt Gaza from blue tax to demand 5.7 NIS per liter, which is beyond the Power Generation Company’s financial capacity.
The PA levies huge taxes on the Gaza Strip and deducts income taxes worth millions of shekels from its Gaza personnel’s salaries. We expected the PA to relieve the burden on the Gaza citizens through cutting the fuel taxes.
The Main Obstacles Facing the Government to Solve the Problem:
1. The suffocating siege imposed on the Gaza Strip which leads to devastating economic effects.
2. Preventing the entry of the Qatari fuel (roughly 10 thousand tons) already in Egypt.
3. The rocketing fuel prices which affect negatively the purchase power.
4. The total closure of the tunnels.
5. The failure of some citizens to commit to paying the due bills.
6. The increased price of one electrical unit produced by the Power Generation Company to double the selling price which caused serious financial losses.
7. The continuous increase in the population in addition to the establishment of the Qatari housing projects.
8. Banned purchase of fuel.
Demands:
1.  The immediate lifting of the siege imposed on the Gaza Strip and allowing entry of fuel.
2.  Egypt must help to minimize the suffering of the Gazans through allowing to purchase fuel or enhancing the power plant that feeding the Gaza Strip.
3.  The Israeli occupation must bear its responsibilities as an occupier and provide the Gaza Strip with the basic needs including the electricity.
4.  The Palestinian Authority must remove all fuel taxes imposed on shipping the diesel fuel to the Gaza Strip and make it available at the import price which is 2.2 NIS.
Alray is the official media agency of the Palestinian Government. Read other articles by Alray, or visit Alray's website.
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Apr 18, 2013

from Doc Jazz: Open Letter to Roger Waters: Don’t Drop Your Boycott Call

I copied this letter from the website of docjazz and here is a link to that page:

http://www.docjazz.com/index.php/articles/43-analysis/286-open-letter-roger-waters

file under:  Understanding Palestine

my personal thing:  bringing the world together with food and fabric

thank you Doc Jazz for your very insightful letter:


Open Letter to Roger Waters: Don’t Drop Your Boycott Call
  (This article has 221 views)
Thursday, 18 April 2013 08:37
Roger WatersRoger WatersDear Roger,

I feel fortunate that I don’t need to explain to you what the devastating effects of Israel’s expansionist policies have been, and continue to be. You are very well informed, and quite aware of the extensive misery that has befallen our people since the ethnic cleansing of our land in 1948 by Zionist terror organizations, the occupation of 1967, the separation wall, the repressive Apartheid system of the Israeli state, the blockade and repeated bombardment of Gaza, and the continuing persecution of the Palestinians that has been going on for well over 65 years.

I also feel fortunate that at least one of the iconic rock stars of our age has had the courage to speak out like you did, against a course of history that has proven to be destructive to human rights in all possible aspects of life. You are one of the few voices that dare to make themselves heard in a world ruled by the ‘I have nothing to hide but the truth’ adage, in reference to your own words that I heard you speak in your recent interview with the Huffington Post.

In that same broadcast, you made it clear that you are pondering carefully the strategic value of calling upon artists to refrain from performing in Israel. Although you did not say it in so many words, we were given reason to believe that you are reconsidering your stance on this subject, which is why I am writing this open letter to you.


Although it may well be that my words will never reach you, I of course hope that they will, especially in this contemplative phase in which you seem to be finding yourself. What I hope to convey to you, as a Palestinian, is that you issuing a call upon other artists not to perform in 'Israel' is indeed of significant strategic value, and of moral importance.

Please allow me to respectfully observe that you seem to be, rather understandably, underestimating the effect of your own expressions and stances on the issue, and the impact they have had on public perception. The vastness of this problem, and its deep ramifications that even have their effects on the geopolitical decision-making of world politics, make every individual’s efforts seem relatively small and insignificant.

Nevertheless, we must believe that the sum of the efforts of all brave individuals who have the courage to stand up against ongoing injustices, should be able to sort some effect that could have a positive influence on the outcome of this complex paradigm of violence and injustice. Without this belief, brave individuals like yourself would lose their drive to make a difference, and the issue would be left in the hands of those very same currents that have been causing the dire situation that we are facing today.

It is exactly for this reason that I feel compelled to express to you that you are one of those select few who have the potential to empower many other individuals to make courageous steps in the same direction of your firm position of protest against occupation, settlement building and oppression along ethnic lines.

If you should decide to withdraw your call for the artistic boycott of 'Israel', exactly that which you are afraid of is bound to happen, and I am quoting your own words: “in the long term, have less effect on the outcome”. The reason why I am saying this is that there is no lack of people who oppose the Israeli occupation, in fact, the vast majority of world citizens already oppose and condemn it. This can be seen in practically every UN resolution on the subject, and in the expressions of countless other artists and human rights activists from every corner of the world.

All this opposition has never resulted in anything, that much we can clearly see. None of it, despite its pure intentions and its respectable efforts, has actually risen above the level of some dust in the wind, blown away into oblivion. One of the reasons for this is that true change requires true courage. How much courage does it take to say ‘stop the occupation’, when you already have international law supporting your call, and countless UN resolutions amounting to the same effect? This, dear Roger, is exactly where you are one of the very few among this world’s most prominent artists who is truly making a difference. This is what makes you a unique voice among all those who were merely repeating predictable mantras that have already proven to be a mere journey on a dead end street.

True change requires true courage. You didn’t suddenly whimsically decide to call for a boycott. You were, in fact, thinking clearly and wisely, seeing the necessity of a strong statement, and the importance of sending a clear signal to Israeli Apartheid: the message that continuing its violent and oppressive course would cost it the sympathy of the artists of this world, in a way that could be felt, seen and heard.

There is no doubt in my mind that you would remain a true friend of justice if you decided to withdraw your boycott call. I am not interpreting your careful consideration as some kind of structural change of ideology or position, since you have made it quite clear that your doubts only concern the strategic value of such a move. My message to you is that I ask you to have faith in the original thoughts that led to your stance in support of the boycott, and to come to the full realization that your role in it, in this current time frame, is of crucial importance. The choice to go ahead and issue the boycott call could ‘blow up in your face’, perhaps, and you are worried that you might become someone who, on the long term, has less effect on the outcome. Withdrawing it, however, might very well be a fast short-cut that would put you in those ranks already. You would have as little effect on the outcome as all those others who sympathize with the Palestinian cause, and have chosen words over action. I sincerely doubt that this is where you want to be, and who you aim to be.

Dear Roger, courage is often not the effect of mere cerebral thought and reflection, but mainly the result of passion, the same passion that brought you to musical excellence and stardom, and the same passion that made us recognize you as a genuine supporter of justice. While you consider your options, know that the Palestinian people, in their daily misery, are not waiting for a man of words, but for a man who makes a move that breaks free from all that has gone before and has so far been unable to stem the tide of injustice. A move that the legendary Roger Waters is not beyond making, and will hopefully decide to make.

Yours sincerely,

Tariq Shadid 
aka Doc Jazz

- Tariq Shadid is a surgeon living in the Arab Gulf who has been contributing articles to the Palestine Chronicle for many years. Some of these essays have been bundled in the book ‘Understanding Palestine’, which is available on Amazon.com. He also is the founder of the website ‘Musical Intifada’ featuring his songs about the Palestinian cause, on www.docjazz.com. He contributed this article to PalestineChronicle.com.

Dec 1, 2012

Showcasing the Food of Palestine

I like to write about young women speaking out around the world and also about food.

My thing--if I can be of help to people around the world in any small way--trying to show off the culture and food of certain areas--sometimes the focus shifts to just people living a daily life.

Do you know anyone who has a blog about food in Palestine I can put on my blog?

For instance--I like "Cooking with Alia"....she talks about her culture, shows her grandmother in traditional dress cooking with her beautiful dishes, and she also showcases some traditional Saudi recipes.

I love this concept.

Do you know what ever happened to the ship with school supplies for the children.

Just wondering...

Thank you for your time....

chloe louise

Nov 23, 2012

World's most expensive footballer Cristiano Ronaldo donates €1.5mn to children in Gaza

World's most expensive footballer Cristiano Ronaldo donates €1.5mn to children in Gaza

It's not the first time Ronaldo has given to Gaza. Last year he sold most of his sports shoes at a Real Madrid Foundation auction which was also dedicated to raising funds for schools in Gaza.


RT
21 November 2012

Real Madrid iconic forward Cristiano Ronaldo has donated €1.5 million to Palestinian children in Gaza, the Arabic version of the club’s Classico network reports.
The star forward gave his Golden Boot which he earned in 2011 to the Real Madrid foundation. The Spanish giants in their turn sold it at auction and will now donate the funds to schools in Gaza
According to various reports, the Real Madrid Foundation has helped to build 167 schools in 66 countries.
It’s not the first time Ronaldo has given to Gaza. Last year he sold most of his sports shoes at a Real Madrid Foundation auction which was also dedicated to raising funds for schools in Gaza.
Ronaldo became the most expensive footballer in history after moving from Manchester United to Real Madrid in a transfer worth €93.9 million. In addition, his contract with Real Madrid, in which he is paid €12 million per year, makes him one of the highest-paid footballers in the world.

from  chloe louise.......

the children of Palestine want to sing "Happy," too..........