free shipping and no tax on this sophisticated bracelet..................................
http://www.chloetoo.com/
TV News, San Diego Radio, Politics and News, Sewing--The Sewing Herald Tribune....we need contributors, Travel.... Agree or Disagree....Please feel free to comment.....all comments appreciated and thank you for your time..... and food,dogs and cats...... let's sit down at this cafe, have a cup of coffee and talk about politics.
Dec 29, 2012
sterling silver bracelet with flower toggle clasp
free shipping and no tax on this sophisticated bracelet..................................
http://www.chloetoo.com/
crystal earrings at chloetoo, red and black 8mm cubes
this set is 18.00...The earrings are 8mm swarovski cubes with sterling silver findings --I put it together
with a bracelet purchased at the gem show in Tucson.......purchase these earrings at www.chloetoo.com......with paypal.
http://www.chloetoo.com/
Rolling Stones Get Loose With Mick Taylor in First Newark Show John Mayer joins the band on guitar for 'Respectable'
from Rolling Stone Music...........
Seven songs into the Rolling Stones'
set at the Prudential Center in Newark, New Jersey, last night, a
roadie handed Mick Jagger a printout. "We're going to do a request,"
Jagger said, adding that fans voted for a song of their choice on the
band's new mobile app. The winner? 1964's "Around and Around."
"That's an old one, isn't it?" Jagger said. "We haven't done that one in a long time!" (According to fan site It's Only Rock and Roll, they last played the song at Toronto's El Mocambo Club in March 1977). They tore through the Chuck Berry classic, Jagger clapping upward and dancing furiously as if channeling his old T.A.M.I. Show performance, Keith Richards and Ronnie Wood weaving double-string licks as the song swung in a way it never really has before. "Yes!" Jagger said with a grin afterward. "That's right!"
The Rolling Stones 1963-1969: Behind-the-Scenes Snapshots
The Stones got loose last night, their fourth of five 50th-anniversary shows this year. Without the high-profile guests of the other recent shows (Jeff Beck, Eric Clapton), the band seemed to revel in playing with each other. Charlie Watts grinned ear to ear as he pounded the brooding intro to "Paint it Black," Wood nearly bounced out of his chair while nailing the pedal steel lines to "Happy" while Keith belted the song with such glee he appeared emotional. Jagger was chatty and personable between possessed performances, at one point reflecting on playing Newark in the summer of 1965. "Thank you for 50 years of coming to our shows," he told the crowd. "Thank you very much."
Like the other recent shows, the set began with largely early- to mid-Sixties cuts; they played "Get Off of My Cloud" with machine-gun attack, and were triumphant on "The Last Time." It's a marvel to see them play these songs, all sounding fresh again after years of dormancy.
The night's first truly bone-chilling moment came during "Gimme Shelter," when the band conjured a dark musical storm while backup singer Lisa Fischer howled lead vocals alongside Mick for the first time since the Bigger Bang tour, reminding us no one does the job better. (Mary J. Blige sang with Jagger at one of two London shows and in Brooklyn, and Florence Welch handled the other London show.) "I love you!" Jagger told Fischer afterward.
Jagger soon welcomed John Mayer for "Respectable," a welcome surprise song choice. Mayer delivered with a manic, wicked solo; Ronnie Wood matched him with his own, grinning as he effortlessly pointed his guitar neck toward the crowd. Richards went next, firing away rhythmic blasts with intent focus. But Mayer took the last word with a frenzy of flashy notes. It felt like bad form, but Keith didn't seem to care, flashing a giant grin – this was a party. They soon flashed forward, nailing the new time-shifting apocalyptic workout "Doom and Gloom," a new live highlight.
"New Jersey is the only place you don't have to be working out to wear a track suit," Jagger joked. He also made reference to the "12-12-12" benefit at Madison Square Garden the night before. "We had an amazing time," Jagger said. "We even had Bruce open up for us." (Springsteen joins the band on Saturday in Newark). The night's only weak moment was "One More Shot" where everybody seemed so lost it nearly fell apart, the band looking at each other for cues. Afterward, Keith shrugged at the crowd and laughed.
But there was nothing quite like seeing Mick Taylor play with the Stones again. For his first time playing with the band on U.S. soil since 1981 (he played with them in London late last month), he emerged unassumingly and unannounced, but as soon as Richards launched into an 11-minute "Midnight Rambler," Taylor unleashed flourishes of virtuosic greatness that were unmistakably him. As Jagger howled furious harp lines, Taylor rocked back and forth, grooving harder than he did on the entire 1972 tour while the band gave him plenty of room to stretch out. "Mick Taylor!" Jagger said afterward. "He's great! Really good!"
It was a marathon from there, the band nailing the slinky air-tight groove of "Tumbling Dice" – Keith played the riff eyes-closed, as if meditating in it and a raucous "Brown Sugar." The guitars blared full force in "Jumpin' Jack Flash," with Richards grinning with each riff stab as Jagger punched the air as he sprinted the catwalk tirelessly; after a heavy "Satisfaction," Taylor returned to take a bow with his old bandmates.
Earlier in the night, during his solo set, Keith Richards referenced Hurricane Sandy while talking to the crowd. "I know you guys had a rough time. We admire the way you stuck with it. Keep on trucking, you know?" We felt the same way about them.
Set list
"Get Off of My Cloud"
"The Last Time"
"It's Only Rock 'n Roll (But I Like It)"
"Paint It Black"
"Gimme Shelter"
"Respectable" with John Mayer
"Wild Horses"
"Around and Around" (first since El Mocambo March 5, 1977)
"Doom and Gloom"
"One More Shot"
"Miss You"
"Honky Tonky Women"
"Before They Make Me Run"
"Happy"
"Midnight Rambler" with Mick Taylor
"Start Me Up"
"Tumbling Dice"
"Brown Sugar"
"Sympathy for the Devil"
Encores:
"You Can't Always Get What You Want" with The Choir of Trinity Wall Street
"Jumpin' Jack Flash"
"(I Can't Get No) Satisfaction"
...............................................................................
These beautiful black candy earrings are available for 18.88 at www.chloetoo.com.......They are 8mm black swarovski crystal cubes with the aurora borealis finish. The finish shows off a colorful sheen when they turn in the light. The ear wires are also sterling silver with 4mm light black swarovski crystal accents. The rondelles are tiny clear swarovski crystals. These earrings are easy to wear, sturdy and go with everything..................They can be purchased with paypal..........no tax and free shipping...........handmade by chloelouise ................please feel free to e-mail me if you have any questions or comments.......chloe.louise.langendorf.louis@gmail.com
here is a link to the website:
http://www.chloetoo.com/
Read more: http://www.rollingstone.com/music/news/rolling-stones-get-loose-with-mick-taylor-in-first-newark-show-20121214#ixzz2GSg6ePuU
Follow us: @rollingstone on Twitter | RollingStone on Facebook
The Rolling Stones perform at Prudential Center on December 13, 2012 in Newark, New Jersey.
Kevin Mazur/WireImage
December 14, 2012 8:30 AM ET
"That's an old one, isn't it?" Jagger said. "We haven't done that one in a long time!" (According to fan site It's Only Rock and Roll, they last played the song at Toronto's El Mocambo Club in March 1977). They tore through the Chuck Berry classic, Jagger clapping upward and dancing furiously as if channeling his old T.A.M.I. Show performance, Keith Richards and Ronnie Wood weaving double-string licks as the song swung in a way it never really has before. "Yes!" Jagger said with a grin afterward. "That's right!"
The Rolling Stones 1963-1969: Behind-the-Scenes Snapshots
The Stones got loose last night, their fourth of five 50th-anniversary shows this year. Without the high-profile guests of the other recent shows (Jeff Beck, Eric Clapton), the band seemed to revel in playing with each other. Charlie Watts grinned ear to ear as he pounded the brooding intro to "Paint it Black," Wood nearly bounced out of his chair while nailing the pedal steel lines to "Happy" while Keith belted the song with such glee he appeared emotional. Jagger was chatty and personable between possessed performances, at one point reflecting on playing Newark in the summer of 1965. "Thank you for 50 years of coming to our shows," he told the crowd. "Thank you very much."
Like the other recent shows, the set began with largely early- to mid-Sixties cuts; they played "Get Off of My Cloud" with machine-gun attack, and were triumphant on "The Last Time." It's a marvel to see them play these songs, all sounding fresh again after years of dormancy.
The night's first truly bone-chilling moment came during "Gimme Shelter," when the band conjured a dark musical storm while backup singer Lisa Fischer howled lead vocals alongside Mick for the first time since the Bigger Bang tour, reminding us no one does the job better. (Mary J. Blige sang with Jagger at one of two London shows and in Brooklyn, and Florence Welch handled the other London show.) "I love you!" Jagger told Fischer afterward.
Jagger soon welcomed John Mayer for "Respectable," a welcome surprise song choice. Mayer delivered with a manic, wicked solo; Ronnie Wood matched him with his own, grinning as he effortlessly pointed his guitar neck toward the crowd. Richards went next, firing away rhythmic blasts with intent focus. But Mayer took the last word with a frenzy of flashy notes. It felt like bad form, but Keith didn't seem to care, flashing a giant grin – this was a party. They soon flashed forward, nailing the new time-shifting apocalyptic workout "Doom and Gloom," a new live highlight.
"New Jersey is the only place you don't have to be working out to wear a track suit," Jagger joked. He also made reference to the "12-12-12" benefit at Madison Square Garden the night before. "We had an amazing time," Jagger said. "We even had Bruce open up for us." (Springsteen joins the band on Saturday in Newark). The night's only weak moment was "One More Shot" where everybody seemed so lost it nearly fell apart, the band looking at each other for cues. Afterward, Keith shrugged at the crowd and laughed.
But there was nothing quite like seeing Mick Taylor play with the Stones again. For his first time playing with the band on U.S. soil since 1981 (he played with them in London late last month), he emerged unassumingly and unannounced, but as soon as Richards launched into an 11-minute "Midnight Rambler," Taylor unleashed flourishes of virtuosic greatness that were unmistakably him. As Jagger howled furious harp lines, Taylor rocked back and forth, grooving harder than he did on the entire 1972 tour while the band gave him plenty of room to stretch out. "Mick Taylor!" Jagger said afterward. "He's great! Really good!"
It was a marathon from there, the band nailing the slinky air-tight groove of "Tumbling Dice" – Keith played the riff eyes-closed, as if meditating in it and a raucous "Brown Sugar." The guitars blared full force in "Jumpin' Jack Flash," with Richards grinning with each riff stab as Jagger punched the air as he sprinted the catwalk tirelessly; after a heavy "Satisfaction," Taylor returned to take a bow with his old bandmates.
Earlier in the night, during his solo set, Keith Richards referenced Hurricane Sandy while talking to the crowd. "I know you guys had a rough time. We admire the way you stuck with it. Keep on trucking, you know?" We felt the same way about them.
Set list
"Get Off of My Cloud"
"The Last Time"
"It's Only Rock 'n Roll (But I Like It)"
"Paint It Black"
"Gimme Shelter"
"Respectable" with John Mayer
"Wild Horses"
"Around and Around" (first since El Mocambo March 5, 1977)
"Doom and Gloom"
"One More Shot"
"Miss You"
"Honky Tonky Women"
"Before They Make Me Run"
"Happy"
"Midnight Rambler" with Mick Taylor
"Start Me Up"
"Tumbling Dice"
"Brown Sugar"
"Sympathy for the Devil"
Encores:
"You Can't Always Get What You Want" with The Choir of Trinity Wall Street
"Jumpin' Jack Flash"
"(I Can't Get No) Satisfaction"
...............................................................................
These beautiful black candy earrings are available for 18.88 at www.chloetoo.com.......They are 8mm black swarovski crystal cubes with the aurora borealis finish. The finish shows off a colorful sheen when they turn in the light. The ear wires are also sterling silver with 4mm light black swarovski crystal accents. The rondelles are tiny clear swarovski crystals. These earrings are easy to wear, sturdy and go with everything..................They can be purchased with paypal..........no tax and free shipping...........handmade by chloelouise ................please feel free to e-mail me if you have any questions or comments.......chloe.louise.langendorf.louis@gmail.com
here is a link to the website:
http://www.chloetoo.com/
Read more: http://www.rollingstone.com/music/news/rolling-stones-get-loose-with-mick-taylor-in-first-newark-show-20121214#ixzz2GSg6ePuU
Follow us: @rollingstone on Twitter | RollingStone on Facebook
Good lord, bring Mick T. back to the band.
from Rolling Stone Music........and some very interesting comments about San Diego.........
Gosh, Everyone is Searching Mick Taylor
Rolling Stones Rock New Jersey With Mick Taylor and John Mayer
from Spinner..........
Dave Allocca, APFor the first New Jersey stop on this very-limited, very-pricey victory lap of a tour, the Rolling Stones not only didn't disappoint, they outclassed 50 years of successors, including rightful ones. Frills were few: John Mayer hopped on early to roast his axe on "Respectable," and Mick's mysteriously quick costume changes from sparkly to sparklier jackets barely distracted from the well-aged thunderous canon (more like canyon) of hits. Only the Stones could toss off Richter-scale levelers like "Gimme Shelter" and "Paint It Black" in the first few numbers.
After Mayer's swift exit the band wasted no time bleeding every poignant note of "Wild Horses" raw and covering Chuck Berry's "Around and Around" for the first time since 1977. The garage-y new "Doom and Gloom" held its own with "One More Shot," and an extra-funky "Miss You" provided some respite as an extended jam. Mick performed a swiveling dance in the breakdown as both the snake and the charmer, attempted to help the beer-guzzling crowd through those "woo-hoo-hoo-oo-hoos" and yelled "where'd you get that New Jersey?" before Bobby Keys' sax did its thing.
Jagger and Ron Wood circled the coincidentally-or-not mouth-shaped stagepath. "Honky Tonk Women" was the only tune upstaged by the backing-screen visual: An animated X-rated King Kong with the woman replacing the ape as the role of skyscraper-climbing monster and fighter-pilot monkeys trying to shoot her down. But as Keith took the stage for the impressively-sung "Before They Make Me Run" and ageless "Happy," the night never again turned its attention from the music.
The biggest story is of course Mick Taylor, who appeared and ripped an elongated "Midnight Rambler" to shreds in a giant onstage guitar huddle. The whole night tumbled into a vortex of great rock history from there: "Start Me Up," "Tumbling Dice" and "Brown Sugar" all in a row, impossibly hard-hitting even five decades on, with Mick prancing around like he's 29 in a ridiculous blue waistjacket, bantering a flag about and returning in a gigantic cape of fur spaghetti to play Mr. D as the opening shakes of "Sympathy for the Devil" took hold. Keef's solo suddenly sounded a few decibels louder than any of his other playing Thursday night.
Not ones to waste time at this age, or as pleasing and demanding showmen, the Trinity Wall Street Choir was quickly hustled up onto either side of the stage for a tremendous encore of "You Can't Always Get What You Want," for which Jagger strapped on an acoustic. Again, his purple sparkling grandeur clashed with the natural musical forces thundering throughout the Prudential Center, but the Stones invented rock's absurdly sized contradictions if anyone did. But the sheer overtaking pleasure of these classics at this point didn't require answers, just dancers. Jagger won the crowd's participation after a particularly torrential Wood solo and a rare bish-bash climax from the normally fantastically controlled Charlie Watts.
Then without further ado, rock achieved middle age, came full circle, lined up the planets, etc., -- whatever monster-truck metaphor have you. The finest rock band in the world did "Satisfaction," the greatest rock song. And to their credit, they still sound hungry. "All I hear is doom and gloom," rightfully mocked Jagger's newest lyrics of the night. These titans have been providing an alternative for half a century, and there's no reason to think they'll stop now.
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