Jul 22, 2015

Judd Apatow Talks Bill Cosby "One of the Most Awful People that You've Ever Heard Of"

"I think it's the worst thing that's ever happened in show business," the director said of the scandal involving the comedian.

Judd Apatow's newest film Trainwreck is a hit at the box office, but the director appeared on CNN's New Day to talk about another matter entirely: Bill Cosby.
Apatow has been a vocal critic of the comedian following extensive accusations that he drugged and sexually assaulted more than two dozen women over the last several decades. On Tuesday, he performed a scathing impersonation of Cosby on The Tonight Show.
On New Day, Apatow continued going after the beleagured comedian, calling Cosby "one of the most awful people that you've ever heard of" and declaring with no uncertainty that he "think[s] it's the worst thing that's ever happened in show business."
The director also pointed out that the accusations do shed valuable light on problems within the legal system when it comes to sexual assault. "But what's important about it is that there are things to learn, which is all these statutes of limitations are way too short," said Apatow. "There's no reason why in California it should be six years. I mean, for violent crimes it should be decades."
Asked why he thinks that Cosby got a pass for so long, Apatow compared him to a "pedophile priest," saying, "He's done an enormous amount of positive things for the world, but then he has this other side of his personality that's really hurting people. And no one wants to attack the person who's been so charitable."
"And who's a black guy. Let's be honest," interrupted host Michaela Pereira.
Apatow managed to dodge the race issue, answering, "Yeah and who's done so much amazing and important work. That's what makes it so tragic."
He also pointed out that Cosby's victims were particularly vulnerable as young women with aspirations to rise in a business where Cosby holds enormous power: "If most of your victims are actresses, they're not going to speak up because they think, 'Oh, I'm never going to work again.' "
Toward the end of the interview, Apatow highlighted the excess of Cosby's prescriptions for Quaaludes as firm evidence of his intent. He also said of Whoopi Goldberg, who's backed away from her initial defense of Cosby, "I think she's turned around in a big way."



copied from the hollywoodreporter.com

Jul 21, 2015

HOW TO SMOKEY EYE FOR FOR (VERY) HOODED EYES

What Al Sharpton learned from James Brown that Donald Trump hasn’t--from the WashPo

What Al Sharpton learned

 from James Brown that 

Donald Trump hasn’t

   

The Rev. Al Sharpton perfectly assessed the character of Donald Trump’s death-defying campaign for the Republican presidential nomination. “What plays at Lincoln Center don’t play at the Apollo,” Sharpton said about Trump. “And I think that he is an Apollo act in Lincoln Center.”
I asked Sharpton for his view of what’s going on with The Donald and why he’s doing what he’s doing at a meeting with editors and reporters at The Post this morning. There was no better person to ask. Sharpton and Trump are both New Yorkers who have known each other and done battle with each other for years. And they are both targets of and survivors of the Big Apple tabloids that make sport of high-flying folks like them. That’s why Sharpton’s assessment of Trump’s campaign and its future is as vivid as it is correct.
“When you run for president, in my opinion, you run either to win or you run to further a cause,” Sharpton said. He said he believes that Jeb Bush (R) and Hillary Clinton “are running to win.” The candidate for the Democratic presidential nomination in 2004 pointed out that “I ran to further a cause.” While he said he knew he wasn’t going to beat President George W. Bush in the general election or then-senator John F. Kerry in the primary for that matter, he said he ran because he felt issues “we wanted to raise like criminal justice and all were not going to be in the center stage if we didn’t have a candidate.”
What followed was a lesson imparted to Sharpton by James Brown, the legendary singer who was a mentor to the preacher and now-MSNBC host, that was so rich in imagery that I dare not chop it up into quotes. In short, Trump is a lounge act who hasn’t realized that he is now performing on the main stage. The rules are different. The expectations are higher. And his failure to make the transition will doom him.
Donald Trump is not running to win or [for] a cause. HE was the cause that furthered the branding and popularity of him and his businesses. So when you have somebody that does not have to, in any way, monitor or tailor what he’s doing based on gauging a win or gauging does it hurt a cause, you end up with anything goes. And anything goes has worked for him because he’s been basically a business slash celebrity slash cultural figure. What he does not understand is that does not apply in the political mainstream.
What plays at Lincoln Center don’t play at the Apollo. And I think that he is an Apollo act in Lincoln Center. I think that what worked in his tabloid, playing the New York celebrity thing does not work when you’re on a serious thing.
First time, I went to Vegas … [James Brown] took me there. And [he] said to me, “Reverend, let me tell you something. … There’s a difference between the lounge act and the acts that play the main room.” We’re at Caesar’s Palace. I’m about 19 – 20 years old.
And I said, “What do you mean?” And he said, “When you’re in the lounge, you’re competing with the bars and the barmaids and the slot machines and people gambling. So you do whatever you can to get attention. But when you’re in the main room, they paid to see a show. You’ve got to be ready. You gotta have choreography. You gotta be rehearsed. You gotta have polish.” He says, “When you get on the main stage, Reverend, whatever you did to get out the lounge don’t do that on the main stage.”
Sharpton said he never forgot that when he prepared to take the debate stage in 2004 with Kerry and other Democrats. “I didn’t get up there and say, ‘No justice, no peace,’” he said. “I’m at the main stage now.” Sharpton said not recognizing the venue change is Trump’s problem.
Donald Trump never made that [transition]. So in the assessment of that, why not take a shot at McCain? He’s ad-libbin’, freelancin’, lounge-talking anyway. And he doesn’t understand you are now on center stage. You can’t talk about McCain like you’re talking about the real estate guy bidding against you for a building in downtown Brooklyn.
So, he was probably surprised at the reaction. Why was he surprised? Because nobody called him on all the outrageous stuff he said about President Obama. [That’s because] he was the guy in the lounge talking about the president. Nobody called him when he was talking all this immigration, [because] he was the lounge guy in the lounge. He sitting up there with a presidential candidate [Sarah Palin] eating pizza with a knife and fork. It was a big cultural joke. But now you’re talking about BEING president. You’re on center stage now. That ain’t cute no more. And I think that’s what happened.
The latest Post poll shows that Trump has surged to a big lead in the GOP pack with support from 24 percent of Republican primary voters. Given that standing, I asked Sharpton, is there a danger that folks like the lounge act? He highlighted another significant number from the poll. The one that shows 62 percent of Americans said they wouldn’t vote for Trump for president. “Folks like the lounge act … because they’re sittin’ around drinkin’ a beer and laughing,” Sharpton said. “But if you go upstairs to get your wife to go to dinner, she’s going to want to go to the main room.”
“They’re not saying they want him to be president,” he said. “They’re saying I like him giving them hell. I like him talking trash.” But Sharpton said the message from that 62 percent is clear: “Oh no, I don’t want him to run the country!”
Follow Jonathan on Twitter: @Capehartj


Jonathan Capehart is a member of the Post editorial board and writes about politics and social issues for the PostPartisan blog.

Art Bell: The Smooth Talker is Back

The smooth talker is back and it is great to hear his voice...........



He is real  talented at late night talk--he does not carry anger  which comes through in his voice.


Art does not have a political agenda and is unbiased and he  has the  unique ability to make every guest and caller seem as  if  they are the most interesting person in the world.

To me he is a real  gift for  the listener because he is easy going and that is perfect for that time of evening.



There are many ways to listen to Art's new show,  Midnight in the Desert......

This blogger and long time news talk radio listener heard Art Bell on the Kern Radio station out of  central California--tuning into the station on the computer.

The evening before on the test  show I went directly to Art's website and listened on the player link.

Many people listen on their i-phone.

Art Bell is taking calls from all over the world.

I guess the thing I like the most about Art Bell is his gift of genuine interest in the caller and  subject matter, his easy going style--the  man can handle anything--and the fact that he just lets folks talk without yelling at them or injecting hostility into the conversation.

Well done and good  job, Art Bell.


The show is free.



here is a link to his website:

http://artbell.com/


here is a list of the  radio stations carrying his show--hoping one in San Diego picks it up:







Radio Stations


Here are some real terrestrial radio stations that will pick up our show from our Internet stream and broadcast it over the air.

Shortwave:

Tennessee – WTWW – 5,085 khz
Maine – WBCQ – 7,490 & 9,330 khz
Toronto – CFRX 6,070 khz

Alaska:

Anchorage – KOAN 1080 AM / 95.1 FM

California:

Bakersfield –  KERN  1180 AM  / 96.1 FM
Fresno – KGED 1680 AM (Starting 9/28)
Loma Linda – KCAA – 1050 AM
Needles – KTOX 1340 AM

Kansas:

Kiowa (South Central) – KPAK 97.5 FM

Illinois:

Bloomington-Normal – WRPW 92.9 FM

Maine:

Monticello – WXME 780 AM

Mississippi:

Jackson – WYAB 103.9 FM

Nevada:

Pahrump – KNYE 95.1 FM

New Mexico

Albuquerque – KXKS 1190 AM / 107.5 FM

New York:

Amsterdam – WCSS 1490 AM
Johnstown – WIZR 930 AM / 102.9 FM
St. Johnsville – WKAJ – 1120 AM

Oklahoma:

Alva, (Northwest) – KPAK 97.5 FM

Oregon:

Portland – KXL 101.1 FM

Utah:

Salt Lake City – KTKK 630 AM

Virgina:

Forest / Lynchburg – WIQO 100.9 FM
Shawsville / Roanoke / Blacksburg – WBZS 102.5 FM
Gretna / Danville / Smith Mountain Lake – WMNA 106.3 FM

Canada:

Toronto, ONT – CFRB 1010 AM / CFRX 6,070 khz







copied from streamingmedia.com........





StreamGuys to Deliver and Monetize Online Radio for Dark Matter Digital Network, Art Bell’s Midnight in the Desert

Combination of dynamic ad insertion, audience measurement and robust cloud-based streaming architecture carve path to monetizing radio on the web
Bayside, California(7/20/2015) -Dark Matter Digital Network, a burgeoning online radio network focused on science, paranormal and related topical radio shows, has selected StreamGuys to provide all content delivery network (CDN) and live streaming services for its programming, including dynamic ad insertion. The appointment of StreamGuys as the network’s exclusive CDN and streaming partner coincides with paranormal radio legend Art Bell’s return to broadcasting. Mr. Bell’s new Midnight in the Desert program premieres this week, airing weeknights on Dark Matter Digital Network at 12 midnight ET.
Keith Rowland, owner of Dark Matter Digital Network and a longtime webmaster and engineer for Art Bell, has gradually built a live talent roster since launching the network in 2013. With the return of Art Bell and the addition of The Other Side of Midnight, a new show from Richard C. Hoagland airing immediately after Midnight in the Desert, Rowland sought to offload the growing responsibilities that come with a busier live streaming schedule—and a quickly growing audience.
A recommendation from TuneIn, the popular stream aggregator that will carry Midnight in the Desert via its mobile app, brought StreamGuys into the picture. StreamGuys quickly established a robust, cloud-based streaming architecture that can quickly scale up or down to accommodate audience sizes from show to show, along with redundant mp3 and AAC+ streams to accommodate most media players. Rowland also signed on for StreamGuys’ dynamic ad insertion service, ensuring a simple path to stream monetization without the burden of managing ad schedules and delivery.
“StreamGuys developed a strong combination of hardware and streaming infrastructure that covered everything from dynamic user numbers to ad delivery,” said Rowland. “They built a redundant server backbone to handle thousands of connections seamlessly, with automatic failover to backup systems as needed. It’s an intelligent configuration that can determine which server and data center location is best equipped to handle each connection. And the ad insertion service happens entirely server-side, which means we simply have to send a tone down the audio chain to trigger ads. They do all the heavy lifting, which removes the headaches of manual ad management from the client side.”
The monetization angle is especially important for Dark Matter Digital Network as a quickly growing streaming network. While 22 over-the-air radio stations in North America have signed on to pick up Midnight in the Desert from a relay stream, Rowland emphasizes that his operation is primarily an internet streaming network—a vision that he sees quickly gaining momentum.
“Increasingly, broadcasters who leave the corporate market recognize independent internet streaming as the next logical step,” said Rowland. “Even when Art Bell was on terrestrial and later satellite radio, more listeners were switching to a concurrent internet stream with each passing week. This was the next natural step for Art, and it’s exactly where we want to be as Dark Matter Digital Network. We can control everything we do, and streaming is a more exacting technology when it comes to financials. We understand our demographics, we know our audience numbers and we can monetize everything easily compared to the surveys and averages of terrestrial radio. StreamGuys is helping us achieve our monetization goals.”
About StreamGuys, Inc.
In business since 2000, StreamGuys is an industry-leading service provider of live and on-demand streaming, podcasting delivery, and SaaS toolsets for enterprise-level broadcast media organizations. The company brings together the industry’s best price-to-performance ratio, a robust and reliable network, and an infinitely scalable cloud-based platform for clients of any size to process, deliver, monetize and playout professional streaming content. StreamGuys supports many of the world’s largest Podcasts, global TV and radio broadcasters, video and audio production companies, houses of worship, retail and hospitality businesses, government organizations, medical and healthcare services, and live venues for sports and entertainment. The company excels in developing and deploying technologies for business growth and revenue generation, including dynamic ad insertion, mobile streaming and detailed business and data analytics.

# # #
StreamGuys, Inc - info@streamguys.com - www.streamguys.com - 707.667.9479
P.O. Box 828 Arcata, California 95518 - fax 707.516.0009
StreamGuys
Editorial Contact:
Brian Galante
207-494-8428
brian@dimensionpronline.com




Scenes from The Grape Street Dog Park, San Diego, California



Jul 17, 2015

Art Bell Returns to Broadcasting July 20th at 9 PM Pacific

Art Bell likes cats

Midnight In The Desert with Art Bell

Art Bell Returns to Broadcasting July 20th at 9 PM Pacific

PR Newswire 
PAHRUMP, Nev., July 14, 2015 /PRNewswire-iReach/ -- Wanna Take a Ride? Art is returning to broadcasting his famous nightly paranormal talk show, starting July 20th. The new show entitled "Midnight in the Desert" will be LIVE from 9:00 PM to Midnight Pacific, Midnight to 3:00 AM Eastern and will be streaming out FREE over the Internet at http://www.ArtBell.com bringing you the same great topics, same great music, Monday thru Friday.
View photo
.
Go to ArtBell.Com on July 20th at 9 PM Pacific to listen to Midnight In The Desert
You can also listen to Art Bell on your smartphone or tablet using the great TuneIn Radio app. Download the FREE TuneIn Radio app and search for and follow the "Dark Matter Digital Network."  The new home for Art Bell. If you can't stay up to listen LIVE for FREE, you can become a Time Traveler and listen the next day or weekend. Go to http://www.ArtBell.com, click on the "Join the Time Travelers" link, and subscribe for a low price of only $5 a month to access the past shows. New show name, New digital station, same great Art Bell! Check out ArtBell.com and join us for the best in overnight talk radio.
Please SHARE the good news to all your followers.  #ArtBell.com
Media Contact: Keith Rowland, Dark Matter Digital Network, (480) 454-1020, press@artbell.com
News distributed by PR Newswire iReach: https://ireach.prnewswire.com

copied from yahoo news