Sometime you have to be your own hero.. Because sometimes the people you cant live without.. Can live Without you..
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It is not outrageous to imagine…It is not very clear, however, how Bate’s alleged anxiety, inhibition and fear as demonstrated above differs that much from Greenblatt’s own style of imagining and hedging. Here is a brief sampling of the way Greenblatt wrote his Will in the World(2004), with emphasis added:
Could it have been at the same age…?
Could he be the voice not only of Guy but also of William…?
Could he have been Shakespeare’s apprentice in the acting company?
It seems more than fortuitous that…
It is unlikely to be a coincidence that…
Guesswork of course, but I have a hunch that…
I have an instinctive sense that…
It is hard not to notice…
We cannot rule out the possibility that…
Could it then be that…?
One of the two could easily have been…
He may well have been there…
The players may well have been…
This could have been the occasion…
It is not beyond the bounds of possibility that…
…requires us to countenance the possibility that…
In the summer of 1585, William of Stratford “may have been working in the glover”s shop, perhaps, or making a bit of money as a teacher’s or a lawyer’s assistant. In his spare time he must have continued to write poetry, practice the lute, hone his skills as a fencer – that is, work on his ability to impersonate the lifestyle of a gentleman. His northern sojourn,assuming he had one, was behind him. If in Lancashire he had begun a career as a professional player, he must, for the moment at least, have put it aside. And if he had a brush with the dark world of Catholic conspiracy, sainthood, and martyrdom–the world that took Campion to the scaffold – he must still more decisively have turned away from it with a shudder.As it happens, Greenblatt and Bate, both leading establishment Shakespeare scholars, are head-to-head competitors in academic publishing. Greenblatt is a chaired professor of humanities at Harvard University. Bate is a professor at the University of Warwick. Each is general editor of a complete, annotated works of Shakespeare: Greenblatt’s from Norton in 1997 and Bate’s more recently from Random House, in 2007. Shortly after its publication, the queen awarded Bate the honorary title of Commander of the British Empire (CBE).
. . . despite feverish attempts to comb the archives and find further documentary records of Shakespeare’s life, very little has turned up in the last century. . . . The paucity of new discoveries has not inhibited the constant writing of new biographies. (I am guilty of one of them.) The lure is almost irresistible, and with good reason.The irresistible lure of course is the enduring cultural importance and the aesthetic power and intensity of the Shakespeare plays and poems. Everyone wants to know more about the poet-dramatist.
Never mind that he left so few traces of himself. Never mind that that none of his personal letters or notes or drafts survive; that no books with his marginal annotations have turned up; that no police spy was ordered to ferret out his secrets; that no contemporary person thought to jot down his table talk or solicit his views on life or art. Never mind that Shakespeare–son of a middle-class provincial glover–flew below the radar of ordinary Elizabethan and Jacobean social curiosity. The longing to encounter him and know him endures.“Given the paucity of the evidence,” Greenblatt asserts that writing a Shakespeare biography “demands (emphasis added) speculation, imaginative daring and narrative cunning, but these are all qualities that arouse the scholar’s suspicion and anxiety. Bate’s attempts to enter the life-world of his subject are underwhelming.”